Ever heard of the term Production Music Library? If you are in Europe or America, you will probably hear this word often. However, it is a word that is not very familiar in the rest of the world. Also known as stock music or library music, it is considered a very niche and narrow industry. It’s only about 10% of the world’s music market.
What is the Production Music Library?
The Production Music Library is categorized under the Stock Music category. The business of this world is recorded music that can be licensed for use in film, television, radio, and other media, and collects licensing fees from customers in return for using the music. In many cases, most of the music is not produced after listening to the customer’s request. Many companies are in the business of producing 100,000 or 1,000,000 songs in advance and immediately presenting music that meets the customer’s request. This business is widely known in North America and continental Europe and is a very famous model.
Background Ground Music
Most of the songs owned by the Production Music Library are often background music. The Production Music Library is frequently used as theme and background music for radio, film, and television. In addition to that, it is often used in radio, commercials, event venues, etc., so BGM is the main one. However, many companies also own popular songs, and some companies have a large number of pop songs.
Unlike popular and classical music publishers, Production Music Library owns all copyrights in their music. May be licensed without composer’s permission. You might think that saying this would raise complaints from composers, but royalties are split 5:5 between the company and the writer. The Production Music Library company needs to present its own music to clients as efficiently and as quickly as possible. For this reason, they have the intention to use their own music as freely as possible, and often have all the rights to the music.
Composers in Production Music Library
Since the world of Production Music Library is a business that has spread widely in Europe and the United States, there are composers who specialize in Production Music Library. They often submit music to multiple Production Music Library companies, and are often active as music writers for movies and TV dramas. Production Music Library has a global market, so if you entrust your music to a large company, you can expect to earn enough to make a living. Since many companies are expanding their business globally, there is a high possibility that their songs will be used for many years, and they will receive royalties over a long period of time.
The Production Music Library owns 100,000 to 1,000,000 songs, so we have a wide variety of genres. We collect things like EDM, rock, pop, classical, jazz, and niche things like folk music and sound effects. For that reason, we have almost all genres suppressed, and there is a tendency for many companies to have a system in place that can immediately deliver songs even if a request comes from a client.
It is becoming quite difficult for people who want to make a living as writers in the Production Music Library industry. As mentioned above, Production Music Library companies have 100,000 to 1,000,000 songs, so the number of companies that do not accept new songs is increasing. The world of Production Music Library has a long history, and since it is a business that has continued for several decades, it is becoming saturated with songs, so it is necessary to develop new genres by yourself. will be requested in the future.